Director Joey Boukadakis appointed Ghostlight to create this Visual Effect for the new Dave Barnes “God Gave Me You” music video. The effect involves a photograph developing in Dave’s hands, who looks up to see it has come to life. Click the image to see how we did it!
Ghostlight provided three animations for MyBestFriendsDoctor.org, a non-profit online healthcare community. It is founded by Andrew Kaiser, who also composed the music for our Intro Reel and Cinematography Reel. Ghostlight created the word “Broken” crumbling and falling to the ground, the pull-back revealing the web address, and the fluttering swarm of cash. Enjoy!
Director Chris Cantwell needed Cinematography and Visual Effects for this very strange self-interview portion of a reel submission. It’s a fairly basic “split-screen” technique until Chris walks in front of himself, casting and receiving his own shadow.
We created these Visual Effects for the Nightawk-Six. The movie was shot in one day and didn’t have the budget for firing blanks, so we added every single gunshot, shell ejection, bullet trail, bullet hit, bullet splash, spark hit, and muzzle flash. We also erased crew members, logos, and crew helicopters. Oh, and the explosion at the end. And the cat’s eyes crossing. Thanks to Craig Dyer, Doug Blake, and the entire crew for an amazing project to work on!
Watch in HD! Watch Nighthawk-Six and see our Cinematography and Editing! See photos from behind the scenes!
We did the Visual Effects for the short comedy Ledge Fighters. This video, narrated by director Scott Gairdner, shows how we used a dummy, on-set supervision, HDR photography, fireball stock footage, and 3D computer generated barrels to create the explosion scene. Thanks Scott!
Watch in HD! Watch Ledge Fightersto see James’ lighting and laugh (at the jokes, not the lighting)!
Ghostlight did the Visual Effects for Krantz, a dark comedy directed by Chris Cantwell. The opening scene required John Krantz to give a speech in front of a giant banner, which we created as a miniature. The movie was shot on the RED, and the Visual Effects were completed at 2K resolution – the same as major motion pictures.
Watch in HD! Watch Krantz! See photos from behind the scenes!
We did the Visual Effects for this music video by Shuttlecocks, directed by George Cornelius. The effects include a gunshot, a flying dove, flowing rose petals, a picture coming to life, some slow-motion shots of the band, and finally the cityscape at the end.
We did the Visual Effects for the series Nowheremen, DigiSynd’s social reality experience in which players discover the next episode by following a trail of clues. Thanks to directors Matt Wyatt and Rob Maigret, DigiSynd and everyone involved!
We created this logo for Comedy.com. Using 3D physics simulation, each letter was dropped repeatedly at different orientations until it lined-up with the previous letter. This logo features high quality rendering aesthetics such as soft shadows, light occlusion, and blurred reflections.
We shot up some kid’s room for College Humor’s latest short,Grand Theft Auto for the NES. Watch for our digital gunshots, bullet holes, and fire. We also added an effect where people get sucked into a TV.
Ghostlight made this commercial for the Apple i! It was used in a sketch by College Humor, which parodies Steve Jobs’ product presentations. We built the Apple i in 3D to match College Humor’s prop. For the dancers, we filmed buddies from Invisible Engine and DigiSynd on a green screen. The music was composed by Alfred Montejano.
We executed a long list of Visual Effects for College Humor’s Viral Video Politician. And here it is: the Rubik’s cube, the ping pong ball, the Hadouken, and the falling light. No, we didn’t animate the awesome kitty.
Ta da! The world-famous Street Fighter: The Later Years Series Finale aired today at College Humor, and features more of our Visual Effects such as far-more intense Hadoukens, punches as a means of travel, extended jumps and falls, flying fists of fury, and a guy totally getting stabbed. The very first Street Fighter aired on CollegeHumor.com over 1 year and 3 months ago!
We added 3D sugar cubes, fructose corn syrup, camera wooshes, a rainbow, an awesome pile of burning qbooks and more to give a sugar-crazed energy to College Humor’s candy ad Spazzz!!!
Fight! Fight! Fight! Street Fighter: The Later Years – Part 8 aired today. It features Ghostlight’s Visual Effects: ultra-fast kicks, making kicks connect, digital camera shake, electrocution, flaming chest hair, and the biggest Hadouken to date!
The Roadie Hero video game ad was released today by College Humor. Ghostlight provided the Visual Effects, including titles, fire, and a fire extinguisher. The gameplay animations were created by Lee Mar.
Kids fighting? Sign us up! Ghostlight created the Visual Effects for College Humor’s new comedy Million Dollar Babies! We added titles, camera flashes, spittle, and a 3D retainer. Ding, ding!
We produced yet another Christmas short! This one was for National Banana, a comedy site created by Jerry Zucker, who’s known for his comedy movies Airplane and the Naked Gun series. We shot stills of the house, isolated lights using Photoshop, animated the lights to the music, and did the Visual Effects (except that last explosion, that was them). Awesome!
Ghostlight created two epic Visual Effects shots for Team Tiger Awesome and their new short comedy Claus, a hilarious combination of The Santa Clause, Lord of the Rings, and 300.
We created Visual Effects for 24: The Unaired 1994 Pilot. This College Humor parody strips the popular Fox series of its modern technology by setting the show in 1994. Ghostlight created the opening 24 logo and added old computer graphics to the monitors.
We made a digital “lights up” effect and “leg wipe” for the opening of College Humor’s Brohemian Rhapsody – the fraternity version of Queen’s legendary song. Enjoy the short and beware the “mature” content!
Check out the sonic booms, fast kicks, teleportation football, and baby hadoukens we created for the latest episode of College Humor’s popular comedy series!
DigiSynd hired us to create these three commercials for the Twisted Terror Collection from Warner Brothers. Dave Directed and Edited, James did the Cinematography, and Ghostlight did the Visual Effects.
Street Fighter has returned! We created two Visual Effects for this episode: a taxicab license plate and a flying inverted spinning helicopter splits kick!
Dutch West hired us to create these Visual Effects for their funny and ambitious series Robert De Niro Back in Time. Ghostlight created time portals, the main title, a night sky, gunshots, and a saber-toothed tiger. These shots often required time-consuming rotoscoping, or tracing a subject frame by frame.
DigiSynd produced this video, also known as Houdini’s Moon, for Ashton Kutcher’s Room 401. Ghostlight did the Cinematography and Visual Effects for this video, which was just one of many clues for DigiSynd’s online alternate reality game, eventually becoming Nowheremen. Thanks to DigiSynd and everyone involved!
We made our own iPhone before it’s available! College Humor parodied the new iPhone ads using a prop phone with a green screen. We created and animate the screen’s graphics from scratch. Sometimes the finger didn’t point to the right place, so we warped it. Click the picture to see how we did it!
Here’s how we created the Visual Effects for College Humor’s hilariously offensive short WHIT Radio. We placed radio station graphics on taxi cabs, buses, billboards, and a blimp using 2D and 3D animation. Enjoy!
We levitated a possessed girl in What Revver Did 5, the final Revver.com ad created by Invisible Engine. We did the Cinematography and Visual Effects. This video shows how we made Sean fly!
Watch how Ghostlight tackled these challenging Visual Effects for College Humor’s latest short Mementos, a Mentos commercial in the style of the film Momento. We helped plan the effects with College Humor before the shoot. Always a good idea!
Ghostlight summoned butterflies for College Humor’s The Sopranos Censored. The 3D butterflies were modeled, surfaced, and animated in 2 days. Here’s how we did it!
Most of the time, filmmakers don’t want you to notice the Visual Effects in their movies. Here are some shots from Rushers that director Joey Boukadakis DIDN’T want you to see!
See more about Rushers! Check out photos from behind the scenes!
In addition to Editing the film, Ghostlight provided the Visual Effects for Rushers. Here’s how we gave more life to this shot of Greek Row with crowd duplication and a 3D banner. It also required careful planning and on-set supervision. Enjoy!
See more about Rushers! Check out photos from behind the scenes!
We made Nick Clark fly in an ad for Revver.com, produced by Invisible Engine. This video shows how we did the Visual Effects, but we also did the Cinematography. Enjoy!
Ghostlight lent College Humor a hand for their latest short comedy series. What’s that you say? You want in-depth behind-the-scenes info with more details than you care to know? No problem! Just click the image and enjoy.
Ghostlight finished the last Visual Effect for The Harvest in which one actor puts a cigarette out in someone’s eye. Because the cigarette was not lit during filming, we shot and composited smoke and spark elements in post.
We created some cool Visual Effects for The Harvest, a horror film about revenge from beyond the grave. Here’s how we replaced this actor’s eyes with scarier ones!
Ever wonder how Disneyland does those amazing fireflies? Well, this ain’t it. We used Visual Effects to populate this scene from The Harvest with tons of 3D fireflies. Here’s how we did it!
How to light a kitchen on fire! Borrow a friend’s barbeque. Build a trough out of blackwrap. Fill with lighter fluid. Film the flames in front of a black background. Composite the flames over the shot. Add a little glow. On-set light interactivity preferred.
Ghostlight created this train entirely in the computer for the film The Prototype. The handheld shot was never intended for Visual Effects, which made incorporation difficult due to a lack of on-set supervision and measurements. This video shows how we modeled, surfaced, animated, and composited the train for the film’s climax.
Today we completed our most technically complex DVD ever. The disk will accompany the filmmakers and script for 4×4 on financing missions. Behind its seemingly simple interactive environment are months of intense Visual Effects and programming work. This video is a guided tour of the completed DVD.
Ghostlight created this 3D title for the “4×4″ pitch DVD. The title, which is an early example of camera tracking, was later rejected, but here’s how we did it!
Ghostlight was hired by Merging Promotions to provide Cinematography, Editing, Visual Effects, and DVD services to promote New Directions For Women, a chemical dependency treatment center for women. Here are highlights from the video!
Ghostlight shot this joke video for a medical company which required an office to be infested with butterflies. We cut out paper butterflies, which were lightly taped to the walls and actors, then blown with fans. For the butteflies in the air, we used computer animation.
Ghostlight did the Cinematography and Visual Effects for this Captain Morgan commercial produced by FunnyorDie.com and directed by Scott Gairdner. James shot the ad on the Red One camera upgraded with the amazing new M-X chip for improved exposure latitude and skin tones. Our Visual Effects work included wire and stunt rigging removal, sparks, flames, brand removal, time machine effects, fireworks and smoke simulation. Special thanks to Scott and the incredible crew at Funny or Die!
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